Bibliographia Iranica

A predominantly bibliographic blog for Iranian Studies

  • Arts of the Hellenized East

    Carter, Martha, Prudence Harper & Pieter Meyers (eds.). 2015. Arts of the Hellenized East: Precious metalwork and gems of the pre-Islamic era. Thames & Hudson.

    The al-Sabah Collection, Kuwait, houses one of the world’s most spectacular collections of ancient silver vessels and other objects made of precious metals. Dating from the centuries following Alexander the Great’s conquest of Iran and Bactria in the middle of the 4th century BCE up to the advent of the Islamic era, the beautiful bowls, drinking vessels, platters and other objects in this catalogue suggest that some of the best Hellenistic silverwork was not made in the Greek heartlands, but in this eastern outpost of the Seleucid empire. Martha L. Carter connects these far-flung regions from northern Greece to the Hindu Kush, tracing the common cultural threads that link their diverse geography and people. The last part of the catalogue, by Prudence O. Harper, deals with an important group of Sasanian silver vessels and gems, and some other rarities produced in the succeeding centuries for Hunnish and Turkic patrons. The catalogue is accompanied by an essay on the technology of ancient silver production by Pieter Meyers, who has performed a number of scientific tests on the objects, including a new metallurgical analysis that may help to identify their geographical origins.

  • The Seleucids and Iran

    Plischke, Sonja. 2014. Die Seleukiden und Iran: die seleukidische Herrschaftspolitik in den östlichen Satrapien. (Classica et Orientalia 9). Wiesbaden: Harrassowitz Verlag.
    This revised doctoral thesis surveys the eastern provinces of the Seleucid Empire. Much work has been done in the last decades, especially on the documents from Babylon, which allows for certain periods a much more certain chronology than was possible earlier. Plischke makes good use of this material and provides in general a sound survey of the sources and the voluminous secondary literature on the Seleucid kingdom, although her main focus is on Iran. She begins with a survey of recent research and follows it up with a rather long-winded listing of the literary, epigraphic and numismatic sources, which offers nothing new and could have been more sharply focussed – does a reader of this highly complex work really need to be told that Polybios is “generally regarded as reliable” or that Livy wrote his History of Rome in the Augustan period? The preliminary chapter also offers a cursory account of well-known events from Kyros II until the death of Roxane and Alexander IV. This makes a reader wonder whether the book is intended for a professional or a general readership. (R. Malcolm Errington, BMCR)*

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  • The vision of Ahura Mazdā’s poet

    Image © Euromazdean Traditional Reader

    Panaino, Antonio. 2015. The vision of Ahura Mazdā’s poet. Notes on Y. 31,5. In M.C. Pelevin (ed.), «НА ПАСТБИЩЕ МЫСЛИ БЛАГОЙ» Сборник статей к юбилею И. М. Стеблин-Каменского [Collection of articles for the anniversary of Steblin-Kamensky], 47–62. St. Petersburg: Контраст.

    Y.31,5 is a very intriguing O.Av. stanza, which presents some interesting problems centered on the pivotal role of ərəšiš “seer, inspired poet”, corresponding to Ved. r̥ṣi-, whose insight should be connected not only with the Manah who was Vohu, but also with the inner manah- of Ahura Mazdā himself by means of a word-game played around the stem manah- evoked in its compositional form (mə̄ṇ°). The “better” (vahiiō) rule assigned by the Gods to the poet and priest (Zoroaster) opens his eyes offering the Av. ərəši– a new power of discrimination and comprehension of the world (probably both in the ritual dimension and in reality) so that he might actually impress in his own mind what does not exist and what is really existent. In this respect the text by means of the direct opposition between two subjunctives (yā nōit̰ vā aŋhat̰ aŋhaitī vā) of the root ah (very interestingly, one with a secondary ending, the latter with a primary one), shows how the idea of “existence” and “inexistence” — in this very case deeper than that of “being” or not “being” — was fittingly formulated already in the earliest Mazdean framework.
    Antonio Panaino is professor of ancient Iranian philology and hitory of religion at the University of Bologna.

  • From Samarkand to Istanbul

    Schiltz, Véronique (ed.). 2015. De Samarcande à Istanbul: étapes orientales. (Hommages à Pierre Chuvin 2). Paris: CNRS Éditions.
     Pierre Chuvin, the renomate scholar of hellenistic studies has devoted his academic life to the study of the Central Asian World in its most diverse aspects.
    He founded and directed the French Institute for the Study of Central Asia (1993-1998), before taking the responsibility as the head of the French Institute of Anatolian Studies (2003-2008). Succeeding first collection of tributes dedicated to the world of Greek mythos to logos, this volume brings together contributions devoted to East Central Asian and Turkish studies. Their diversity is a reflection of the tireless curiosity, to whom they are dedicated. From Mausoleums of Samarkand to the Sublime Porte, from antiquity to modern times, from mythology to medicine, as well as the Poetry are very many aspects of a culture of extreme wealth, which are shown here.

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  • Journal of the American Oriental Society

    The latest issue of the Journal of the American Oriental Society, Vol. 135(3), has several articles and reviews of interest to scholars of ancient Iran. We have already announced Michael Shenkar’s Rethinking Sasanian Iconoclasm in a previous post. Among the reviews three stand out for their direct relevance for Iranian Studies:

    The full JSTOR Table of Contents is available here.

  • Waterways of Iraq and Iran in the early Islamic period

    Verkinderen, Peter. 2015. Waterways of Iraq and Iran in the early Islamic period: changing rivers and landscapes of the Mesopotamian plain. I.B. Tauris.
    The waterways of ancient Iraq were crucial to its prosperity. While they were maintained, Iraq and neighbouring Khuzistan, in southwest Iran, were the richest and most productive agricultural areas of the Middle East, supporting the Sasanian, Umayyad and Abbasid empires. When the waterways changed or fell into decay, both the prosperity and the political role of Iraq largely disappeared. Understanding the course of the rivers and how they changed is therefore pivotal to understanding the history of the region. Peter Verkinderen’s important book provides the first major re-examination of the waterways of early Islamic Iraq in almost seventy years. Presenting a much fuller and more accurate picture than has previously been possible through analysis of modern satellite images, this is a work of the utmost importance, unlikely to be superseded for many years to come.
    About the Author:
    Peter Verkinderen (PhD) is research associate of Islamic Studies in the ERC Project “The Early Islamic Empire at Work – The View from the Regions Toward the Center”, at the University of Hamburg.

  • Rethinking Sasanian Iconoclasm

    Shenkar, Michael. 2015. Rethinking Sasanian Iconoclasm. Journal of the American Oriental Society 135(3). 471–498.

    This article presents a detailed reconsideration of the well-established and canonized theory of “Sasanian iconoclasm” postulated by Mary Boyce in 1975. The Sasanians did not develop any prohibition against anthropomorphic representations of the gods, and in the surviving Zoroastrian literature and inscriptions there is no evidence of either theological disputes over idols or of a deliberate eradication of them by the Persian kings. Sasanian cult was aniconic, but the historical and archaeological evidence clearly demonstrates that Sasanian visual culture was anything but iconoclastic. It seems that the Persian iconoclastic identity was constructed in the early Sasanian period as a response to the challenges posed by Christianity. By joining the common monotheistic discourse against idolatry, the Zoroastrian clergy adopted the conventions of the world in which they lived.
    Attacks against “idols” and “idolatry” should be understood in the context of internal and external polemical discourse against beliefs deemed to be erroneous by the Zoroastrian priesthood.

  • Seven Epic Poems

    Ghafouri, Reza. 2015. Haft Manẓūmeh-ye Ḥamāsī (Seven Epic Poems). Bīzhan Nāmeh, Kuk Kūhzād Nāmeh, Babr-e Bayān, Patyāreh, Tahmīneh Nāmeh-ye Kūtāh, Tahmīneh Nāmeh-ye Boland, and Razm Nāmeh-ye Shakāvandkūh. Tehran: Miras-e Maktoob.

    The present volume is a collection of seven epic poems, including Bīzhan Nāmeh, Kuk Kūhzād Nāmeh, Dāstān-e Babr-e Bayān, Dāstān-e Patyāreh, Tahmīneh Nāmeh-ye Kūtāh, Tahmīneh Nāmeh-ye Boland, and Razm Nāmeh-ye Shakāvandkūh.

    No biographical data have survived on the composers of the above poems in literary or historical sources. The late Zabihullah Safa and Jalal Khaleghi attribute the Kuk Kūhzād Nāmeh, Dāstān-e Babr-e Bayān, Dāstān-e Patyāreh and Razm Nāmeh-ye Shakāvandkūh to the 5th/6th centuries Hijrī. The Bīzhan Nāmeh was composed by ‘Atā’ī, who most probably lived in 10th century Hijrī. Linguistic features indicate that the Tahmīneh Nāmeh-ye Kūtāh and Tahmīneh Nāmeh-ye Boland could have not been composed earlier than the 9th/10th centuries Hijrī.

    A Persian report on this volume is available here.

    In Original:

    هفت منظومۀ حماسی (بیژن‌نامه، کک کوه‌زادنامه، ببر بیان، پتیاره، تهمینه نامۀ کوتاه، تهمینه نامۀ بلند، رزم نامۀ شکاوند کوه)، تصحیح و تحقیق رضا غفوری، ۱۳۹۴، تهران: میراث مکتوب.

  • Mani’s pictures

    Gulácsi, Zsuzsanna. 2015. Mani’s pictures: The didactic images of the Manichaeans from Sasanian Mesopotamia to Uygur Central Asia and Tang-Ming China (Nag Hammadi and Manichaean Studies 90). Brill.

    The founder of Manichaeism, Mani (216-274/277 CE), not only wrote down his teachings to prevent their adulteration, but also created a set of paintings—the Book of Pictures—to be used in the context of oral instruction. That pictorial handscroll and its later editions became canonical art for Mani’s followers for a millennium afterwards. This richly illustrated study systematically explores the artistic culture of religious instruction of the Manichaeans based on textual and artistic evidence. It discusses the doctrinal themes (soteriology, prophetology, theology, and cosmology) depicted in Mani’s canonical pictures. Moreover, it identifies 10th-century fragments of canonical picture books, as well as select didactic images adapted to other, non-canonical art objects (murals, hanging scrolls, mortuary banners, and illuminated liturgical manuscripts) in Uygur Central Asia and Tang-Ming China.

    ToC:
     
    • Part 1 – Textual Sources on Manichaean Didactic Art
    • Introduction to Part 1
    • Primary and Secondary Records in Coptic, Syriac, Greek, and Arabic Texts (3rd–10th Centuries)
    • Primary Records in Parthian and Middle Persian Texts (3rd–9th Centuries)
    • Primary, Secondary and Tertiary Records in Uygur and Chinese Texts (8th–13th Centuries)
    • Tertiary Records in Post-Manichaean Arabic, Persian, and Chagatai Texts (11th–17th Centuries)
    • Part 2 – Physical Remains of Manichaean Didactic Art
    • Introduction to Part 2
    • Format and Preservation
    • Subject Repertoire and Iconography

    Zsuzsanna Gulácsi, Ph.D. (1998, Indiana University) is a Professor of Asian Religious Art at Northern Arizona University and the author of Mediaeval Manichaean Book Art (Brill, 2005), Manichaean Art in Berlin Collections (Brepols 2001), and dozens of articles on Manichaean art.

  • On Parthian and Sasanian Empires

    OxbowSarkhosh Curtis, Vesta, Elizabeth Pendleton, Michael Alram & Touraj Daryaee (eds.). 2016. The Parthian and early Sasanian Empires: Adaptation and expansion (The British Institute of Persian Studies Archaeological Monographs Series V). Oxbow Books: Oxford.

    Although much of the primary information about the Parthian period comes from coins, there has been much new research undertaken over the past few decades into wider aspects of both the Parthian and Sasanian Empires including the Arsacid Parthians, and their material culture. Despite a change of ruling dynasty, the two empires were closely connected and cannot be regarded as totally separate entities. The continuation of Parthian influence particularly into the early Sasanian period cannot be disputed. An historic lack of detailed information arose partly through the relative lack of excavated archaeological sites dating to the Parthian period in Iran and western scholars’ lack of knowledge of recent excavations and their results that are usually published in Persian, coupled with the inevitable difficulties for academic research engendered by the recent political situation in the region. Although an attempt has been made by several scholars in the west to place this important Iranian dynasty in its proper cultural context, the traditional GrecoRoman influenced approach is still prevalent. The present volume presents 15 papers covering various aspects of Parthian and early Sasanian history, material culture, linguistics and religion which demonstrate a rich surviving heritage and provide many new insights into ideology, royal genealogy, social organisation, military tactics, linguistic developments and trading contacts.