This volume in honour of Margaret Cool Root gathers seventeen contributions on Achaemenid Persian art, ranging from the European re-discovery of Persepolis, via Achaemenid glyphic art, evidence of polychrome sculpture, and Achaemenid impact in the satrapies, to possible reflections of Persepolitan art in Classical Greece. The contributors are colleagues and, in a number of cases, former students of Margaret Root. As a whole, the volume reflects the wide range of Root’s interests and her impact on the field of Achaemenid studies.
The Neo-Aramaic verbal root gšq ‘to look’, known since the 19th century to occur in the Christian NENA (North-Eastern Neo-Aramaic) dialects of Urmi and Salmas in Iranian Azerbaijan, has thus far remained without an established, or at least plausible, etymology. The etymology proposed in this paper considers gšq to be inherited from an earlier NENA layer, in which it was a denominative derivative of a noun akin to Mandaic gušqa ‘spy’, a Middle Iranian loanword. This etymology is buttressed by parallel cases in Neo-Aramaic and other languages of the world as regards semantic changes and affinities between the meanings ‘to spy’ and ‘to look’, as well as similar processes of word-formation in NENA, namely denominative verbs derived from borrowed nouns and inflected in the neo-pa”el verbal pattern.
Mani, a third-century preacher, healer and public sage from Sasanian Mesopotamia, lived at a pivotal time and place in the development of the major religions. He frequented the courts of the Persian Empire, debating with rivals from the Judaeo-Christian tradition, philosophers and gnostics, Zoroastrians from Iran and Buddhists from India. The community he founded spread from north Africa to south China and lasted for over a thousand years. Yet the genuine biography of its founder, his life and thought, was in good part lost until a series of spectacular discoveries have begun to transform our knowledge of Mani’s crucial role in the spread of religious ideas and practices along the trade-routes of Eurasia. This book utilises the latest historical and textual research to examine how Mani was remembered by his followers, caricatured by his opponents, and has been invented and re-invented according to the vagaries of scholarly fashion.
This volume is a collection of papers highlighting recent researches on Syriac Christianity in China and Central Asia. The topics range from artifacts to texts and their historical contexts, covering the period from the 7th to the 18th century. As the studies on Syriac Christianity in China and Central advance, focus has shifted from a general historical survey and textual translation to a more micro and meticulous study of specific concepts and terms and particular names of persons and places.
The mid-sixth century bc saw the formation of one of the ancient world’s largest and richest empires, the first Persian Empire under the Achaemenid dynasty. After the conquests of Cyrus the Great its vast realms stretched from the Aegean Sea in the west to the Jaxartes River in the east. The empire’s cosmopolitan policies, based on a shared economic relationship and a pluralistic administrative structure, heralded a period of astonishing cross-cultural fertilisation and innovation in different spheres of culture, trade and learning. These new developments were embraced and carried out in, among other regions, the highly multicultural setting of Achaemenid Anatolia.
Achaemenid Anatolia contains twelve articles from an international symposium (2017) on the relationships between the Iranian world and Anatolia in the Achaemenid period with an emphasis on Persian structures, presence and impacts on local populations and cultures. The contributions discuss a wide range of topics and address a variety of perspectives, from material culture, archaeology, architecture, and art history to philology, history, literature, numismatics, and religion.
The volume will focus on a comparative level on a specific group of states that are commonly labelled as “empires” and that we encounter through all historical periods. Although they are very successful at the very beginning, like most empires are, this success is very ephemeral and transient. The era of conquest is never followed by a period of consolidation. Collapse and/or reduction to much smaller dimension run as fast as the process of wide-ranging conquest and expansion. The volume singles out a series of such “short-term empires” and aims to provide a methodologically clearly structured as well as a uniform and consistent approach by developing a general set of questions that guarantee the possibility to compare and distinguish. This way it intends to examine not only already well established empires but also to illuminate forgotten ones.
The Broken Spell: Indian Storytelling and the Romance Genre in Persian and Urdu is a monograph on the rise and fall in popularity of “romances” (qissah)—tales of wonder and magic told by storytellers at princely courts and in public spaces in India from the sixteenth century to the twentieth. Using literary genre theory, author Pasha M. Khan points to the worldviews underlying the popularity of Urdu and Persian romances, before pre-existing Islamicate rationalist traditions gained traction and Western colonialism came to prominence in India.
In the introduction, Khan explains that it was around the end of the nineteenth century that these marvelous tales became devalued by Orientalists and intellectually colonized Indian elites, while at the same time a new genre, the novel, gained legitimacy. Khan goes on to narrate the life histories of professional storytellers, many of them émigrés from Iran to Mughal-ruled India, and considers how they raised their own worth and that of the romance in the face of changes in the economics, culture, and patronage of India. Khan shows the methods whereby such storytellers performed and how they promoted themselves and their art. The dividing line between marvelous tales and history is examined, showing how and why the boundary was porous. The study historicizes the Western understanding of the qissah as a local manifestation of a worldwide romance genre, showing that this genre equation had profound ideological effects. The book’s appendix contains a translation of an important text for understanding Iranian and Indian storytelling methods: the unpublished introductory portions to Fakhr al-Zamani’s manual for storytellers.
Beginning in the early 1400s, large numbers of Iranian elites began migrating to the Deccan plateau of southern India. Lured to the region for many reasons, these poets, traders, statesmen, and artists of all kinds left an indelible mark on the Islamic sultanates that ruled the Deccan until the late seventeenth century. The result was the creation of a robust transregional Persianate network linking such distant cities as Bidar and Shiraz, Bijapur and Isfahan, and Golconda and Mashhad. Iran and the Deccan explores the circulation of art, culture, and talent between Iran and the Deccan over a three hundred year period. Its interdisciplinary contributions consider the factors that prompted migration, the physical and intellectual poles of connectivity between the two regions, and processes of adaptation and response. Placing the Deccan at the center of Indo-Persian and early modern global history, Iran and the Deccan reveals how mobility, liminality, and cultural translation nuance the traditional methods and boundaries of the humanities.
Keelan Overton is an independent scholar and historian of art specializing in the eastern Islamic world from Iran to South Asia. She is author of “Book Culture, Royal Libraries, and Persianate Painting in Bijapur, circa 1580-1630” in Muqarnas and “Filming, Photographing and Purveying in ‘the New Iran:’ The Legacy of Stephen H. Nyman, ca. 1937–42” in Arthur Upham Pope and A New Survey of Persian Art.
In the early 1400s, Iranian elites began migrating to the Deccan plateau of southern India. Lured to the region for many reasons, these poets, traders, statesmen, and artists of all kinds left an indelible mark on the Islamic sultanates that ruled the Deccan until the late seventeenth century. The result was the creation of a robust transregional Persianate network linking such distant cities as Bidar and Shiraz, Bijapur and Isfahan, and Golconda and Mashhad.
Iran and the Deccan explores the circulation of art, culture, and talent between Iran and the Deccan over a three-hundred-year period. Its interdisciplinary contributions consider the factors that prompted migration, the physical and intellectual poles of connectivity between the two regions, and processes of adaptation and response. Placing the Deccan at the center of Indo-Persian and early modern global history, Iran and the Deccan reveals how mobility, liminality, and cultural translation nuance the traditional methods and boundaries of the humanities.
This collection of twenty-eight essays presents an up-to-date survey of pre-Islamic Iran, from the earliest dynasty of Elam to the end of Sasanian empire, encompassing a rich diversity of peoples and cultures. Historically, Iran served as a bridge between the earlier Near Eastern cultures and the later classical world of the Mediterranean, and had a profound influence on political, military, economic, and cultural aspects of the ancient world. Written by international scholars and drawing mainly on the field of practical archaeology, which traditionally has shared little in the way of theories and methods, the book provides crucial pieces to the puzzle of the national identity of Iranian cultures from a historical perspective.
Revealing the wealth and splendor of ancient Iranian society – its rich archaeological data and sophisticated artistic craftsmanship – most of which has never before been presented outside of Iran, this beautifully illustrated book presents a range of studies addressing specific aspects of Iranian archaeology to show why the artistic masterpieces of ancient Iranians rank among the finest ever produced. Together, the authors analyze how archaeology can inform us about our cultural past, and what remains to still be discovered in this important region.
